‘THERE ARE NO SPECTATORS’ is the first strand in my series of mini collections, centred on allyship, visibility, and collective responsibility in activism. This body of work draws from the visual language of protest—specifically the Palestinian keffiyeh—as a symbol of resistance, reimagined through large-scale printed scarves. Taking influence from the Irish rap group kneecap in their unwavering commitment to visibility in activism, the collection explores how creative expression can confront silence and complicity. It asks how institutions shape our understanding of justice, and how collective action can reclaim space, truth, and voice. This strand asserts that to remain neutral is to be complicit in oppression.